Every video here was edited by Claude.Every video here was edited by Claude.

Edit my reel on how to make launch videos with HookMaster Motion. Hinglish captions, a title that lights up word by word as I speak, the real films playing full width, and a keystroke sound on every typed word.

Then refined over five rounds of notes.

Edit my reel on getting full control over AI videos with a previz workflow. A clean title over my face, whip pans between scenes, the real HookMaster Studio setup on a phone, and the finished edit at the end.

Then refined over six rounds of notes.

Edit my reel on the AI character-swap trend. Hinglish captions, a hook title with a glow, the real HookMaster Studio making a swap, and sound from my own library. My footage stays as shot: no reframing, no blurred copies.

Then refined with a few rounds of notes.

Edit my reel on AI merging two games, like Spider-Man inside Batman’s game. Hinglish captions, the real game covers, the creators’ posts and clips, and a visual that shows how Claude merges two games’ files into one.

Then refined with a few rounds of notes.

Edit my stitch answering a reel that says Claude can’t replace editors. Play his claim first, then answer it point by point with proof on screen. Hinglish captions, a clean look, and cuts on the words.

Then refined over eight rounds of notes.

Make an acid, TouchDesigner-style visualiser reel from my own AI clips, cut to the drop of “Anomie” by Ainonow. Fast cuts, glitch and strobe looks, hand-drawn marks, loud sound design. Grit, not polish.

Then refined over about eight rounds of notes.

Edit this talking-head video about TourIQ’s revenue zones into a vertical social cut. The presenter on a studio background, short captions with the key word highlighted, the real product as motion graphics, b-roll, sound design.

Client work, shown with permission.